THERE’S NO SUBJECT ON EARTH, with the possible exception of sex, that human beings find more inherently fascinating than money. Yet somehow most of the movies about the 2008 financial collapse have been as enticing and zesty as a raw potato.

That’s finally changed with The Big Short, based on the book by Michael Lewis about a small assortment of “outsiders and weirdos” who made hundreds of millions of dollars betting that the housing bubble of the 2000s would collapse. Near the end of the film one of them, played by Steve Carell, declares, “We live in an era of fraud” — not just fraud on Wall Street, he says, but sports fraud, corporate fraud, and government fraud.

What sets The Big Short apart and makes it truly great is that it portrays this worldwide, straight-faced fraud accurately; that is, as not just dangerous and enraging, but also extremely funny. It calls to mind Monty Python’s famous dead parrot sketch about a pet store salesman who defrauds his customer and then offers an endless stream of preposterous, contradictory obfuscations to conceal the obvious reality. The Big Short demonstrates that we’re now all living in that pet store.

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