BURNING BOOKS IN A BRAVE NEW 1984 WORLD – THE AGE OF CENSORSHIP

In Part 1 of this article, I explored how Huxley, Orwell, and Bradbury foretold the use of technology by totalitarians to subjugate and control the masses. Now we move on to a currently hot topic – censorship.

“Great is truth, but still greater, from a practical point of view, is silence about truth.” Aldous Huxley, Brave New World

Nick Tyrone on Twitter: "This Venn diagram isn't possible. “1984” is set in an authoritarian future in which all pleasure is repressed; “Brave New World” in one where people are provided with

Censorship

“There was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves” Ray Bradbury, Fahrenheit 451

Fahrenheit 451 Censorship by Riley Curry

“There is more than one way to burn a book. And the world is full of people run­ning about with lit matches.” Ray Bradbury

The primary theme of Fahrenheit 451 is censorship. In Bradbury’s dystopia, burning books was the principal method of censorship, directed by the government, but generally supported by the masses. A form of self-censorship developed, as the dullards, intellectually lazy, and willfully ignorant, preferred books to be burned so they felt that would put them on a level playing field with the critical thinkers and intellectually curious minded.

It always comes back to the government doing everything in their power to keep the masses apathetic, ill-informed, entertained, and distracted, to ensure their continued control over society. Bradbury believed the masses would go along with censorship because they already had television, radio, and fast cars, with vacuous programming, loud music, and unceasing advertising creating over-stimulation and distraction for the populace. They were too distracted to read a book, learn, think critically, or question the authorities.

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BURNING BOOKS IN A BRAVE NEW 1984 WORLD

“Those who don’t build must burn.”Ray Bradbury, Fahrenheit 451

Nick Tyrone on Twitter: "This Venn diagram isn't possible. “1984” is set in an authoritarian future in which all pleasure is repressed; “Brave New World” in one where people are provided with

“One believes things because one has been conditioned to believe them.”Aldous Huxley, Brave New World

“Being in a minority, even in a minority of one, did not make you mad. There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad.” George Orwell, 1984

The Venn diagram above perfectly captures the zeitgeist of our current dystopian world better than any academic drivel disguised as a scientific study or any regime media produced propaganda disguised as journalism. In fact, these three novels capture everything that has gone terribly wrong in our world, and I put the blame at the feet of totalitarian governments and an apathetic fearful populace who went along because it was the easiest path to follow.

These three novels, considered among the top 100 novels ever written, were penned between 1931 and 1953, during three distinct periods, which are reflected in the themes and story lines of their dystopian worlds. They were supposed to be works of fiction, providing warnings of what could happen if we made the wrong choices and trusted the wrong people. Sadly, they became user manuals for today’s authoritarian dictators in how to control, condition and cow a population of indoctrinated sheep, as displayed during the covid pandemic exercise.

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Prisons of Pleasure or Pain: Huxley’s “Brave New World” vs. Orwell’s “1984”

by Uncola via TheBurningPlatform.com

 

Definition of UTOPIA

1:  an imaginary and indefinitely remote place

2:  a place of ideal perfection especially in laws, government, and social conditions

3:   an impractical scheme for social improvement

 

Definition of DYSTOPIA

1:  an imaginary place where people lead dehumanized and often fearful lives

2:  literature:  anti-utopia

Merriam-Webster.com

 

 Many Americans today would quite possibly consider Aldous Huxley’s “Brave New World” to be a utopia of sorts with its limitless drugs, guilt-free sex, perpetual entertainment and a genetically engineered society designed for maximum economic efficiency and social harmony.  Conversely, most free people today would view Orwell’s “1984” as a dystopian nightmare, and shudder to contemplate the terrifying existence under the iron fist of “Big Brother”; the ubiquitous figurehead of a perfectly totalitarian government.

Although both men were of British descent, Huxley was nine years older than Orwell and published Brave New World in 1932, seventeen years before 1984 was released in 1949.  Both books are widely considered classics and are included in the Modern Library’s top ten great novels of the twentieth century.

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HEY YOU (Oldie but Goodie)

Originally published in December 2012

 

 Hey you, out there on the road
always doing what you’re told,
Can you help me?
Hey you, out there beyond the wall,
Breaking bottles in the hall,
Can you help me?
Hey you, don’t tell me there’s no hope at all
Together we stand, divided we fall.

Pink Floyd – Hey You

  

“A really efficient totalitarian state would be one in which the all-powerful executive of political bosses and their army of managers control a population of slaves who do not have to be coerced, because they love their servitude.” Aldous Huxley – Brave New World

The world makes less sense every day. Little children are randomly slaughtered in their schoolrooms. Predator drones roam the skies over foreign countries exterminating bad guys, along with innocent women and children (collateral damage when it occurs in a foreign country). Drugged up mentally ill kids with no hope and no future live lives of secluded quiet desperation until they snap. Ignorant, government educated, welfare dependent drones with no self respect or respect for others, assault, kill and rob within their government created urban jungles. Sociopathic criminals who committed the largest financial crime in world history walk free and continue to occupy executive suites in luxury office towers in downtown NYC, collecting millions in bonuses as compensation for crushing the American middle class.

Academics, whose theories have been thoroughly disproven, continue to steer our economy into an iceberg while accelerating the money printing and debt issuance that will sink our ship of state. Corrupt, bought off politicians pander to the lowest common denominator as their votes are only dependent upon who contributed the most to their election campaigns, which never end. Delusional, materialistic, egocentric, math challenged consumers (formerly known as citizens) live for today, enslave themselves in debt, vote themselves more entitlements, and care not for future generations. The alienation and isolation created by our sprawling, automobile dependent, technology obsessed, government controlled, debt financed society has spread like a cancerous tumor, slowly killing our country.

Pink Floyd released The Wall 33 years ago. It was a concept rock opera album that explored the issues of abandonment, isolation, alienation, authoritarianism, the brutality of war, a tyrannical conformist educational system, and the walls individuals and society build to protect themselves from having to confront reality and deal with the consequences of their actions. I attended the Roger Waters Wall Concert this past summer at Citizens Bank Park with my three sons. Three decades later, the message is more powerful than ever. The government oppression and never ending wars waged by the American Empire around the world have created a society built upon fear and loathing. Roger Waters’ vision is colored by Orwell’s 1984 dystopian nightmare of lies, misinformation, propaganda and brutality. The missing piece, which Waters didn’t see coming in 1979, was the ability of the oligarchs to use their control of the credit system to entrap the masses by convincing them to love their servitude and become so consumed with material possessions and the love of money that they would become nothing more than passive egotistical consumers.

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Next-generation Crowd Control: “Calmative Agents” Will Put Entire Protests Under Sedation

By Justin Gardner via Free Thought Project

A few years ago the U.S. Army tested a very different type of ordnance—a “non-lethal personal suppression projectile” called the XM1063—that rains a chemical agent over people in a 2 acre area. The agent can be a sedative drug, a malodorous substance, or even something that makes everyone slip and fall. This may be a benign thing for the Army, but in the hands of the police state it is a potent tool of repression.

The idea of using “calmative agents” for crowd control is undoubtedly attractive to authorities. As people become more informed and connected, they will take to the streets to challenge the corruption of the state. Naturally, the state will develop ways to disrupt this, and they’ll do it using your money.

It is well known that the U.S. military has played an enormous role in the militarization of police, primarily by giving billions worth of equipment to police departments. There is little reason to doubt that crowd control weapons being developed by the Pentagon’s Joint Non-Lethal Weapons Directorate (JNLWD) will wind up in the hands of police.

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