Tradition Is Not the Worship of Ashes

By Doug “Uncola” Lynn via TheBurningPlatform.com

 

For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.

– Ephesians 6:12

 

As World War III recently expanded into the Middle East, I was reminded of an article I posted last summer where I mentioned my lack of interest in the news.   Honestly, in these times, I have become more interested in things I can control.

Nevertheless, in the thread of that article, a commenter claimed that “news fatigue” was by design and “the less interested people are in what’s going on in the world, the more [The Powers That Be] can get away with. “

That is an interesting notion, indeed.

That same commenter also included a YouTube link to a 2016 documentary entitled Hypernormalisation.  In viewing that three-hour video, I found it to be mostly correct and on the right track, so to speak.  However, because that particular BBC-funded production emphasized the wrong historical “tracks”, it missed the correct destination by its conclusion; and being mostly right is not all right.

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“Sound of Freedom” a Timely Movie that Stirs the Awakening Public

Guest Post by James Grundvig, American Media Periscope

The oft-delayed movie, “Sound of Freedom” found its way to theaters this summer, after a two-year pause in distribution. That, however, is one of many unaccounted blessings about a feature film, respectfully done with power, on real-world issues so dark, evil, and vile that most of the awakening public would have dismissed and avoided it back then.

But two years in the Covid Age is a lifetime of waking up and seeing the facade of the world and its systems fall apart. We are now moving our collective consciousness from the shiny and pristine on the surface to the dark underbelly of a pagan cult and a lot more.

For the grim reality that the movie portrays to be delivered to trigger an unawakened audience wouldn’t have worked in 2021. But in 2023, it’s pay dirt and a bit of divine intervention.

[Credit: James Grundvig, attended the theater premiere on June 26, 2023, in Miami, Florida. Producer Eduardo Verástegui (back to the camera) speaks to the audience with Tim Ballard (R) looking up.]

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