A World Without Truth is a Game Without Rules

By Doug “Uncola” Lynn via TheBurningPlatform.com

While recovering from an injury years ago I had some time on my hands.  Between various books and chapters, I watched several episodes of the HBO television series “Game of Thrones”  (GoT). The show ran eight seasons from 2011 to 2019 and I found the series to be very well-produced with an impressive cast of actors and intriguing plotlines.

There are elements of fantasy in GoT as in Tolkien’s “Lord of the Rings” paired with echoes of epic storytelling from medieval legends like Robin Hood or King Arthur and the Knights of the Round Table. But what appealed to me the most in the early seasons of GoT were the gritty politics and the realistic human consequences of actions, alliances, and betrayals.

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CHANGING OF THE GUARD

This is why war is on the horizon. The American Empire and their lackey bankrupt European states are flailing about because their dominion over this world is waning. Rather than accept that fact and adapt, they will choose to burn the world to the ground. The Deep State will instruct Biden to start the next, and possibly last, world war.

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Dogs of War: Fight to the Death

by Uncola via TheBurningPlatform.com

And Caesar’s spirit, ranging for revenge,

With Ate by his side come hot from hell,

Shall in these confines with a monarch’s voice

Cry ‘Havoc,’ and let slip the dogs of war;

Mark Antony, The Tragedy of Julius Caesar, III.i

Last week, on April Fool’s Day, I read how the month of March 2017 was a “turning point” for Hillary Clinton as she, once again, challenged Donald Trump on Twitter and made three public speeches where she encouraged her former foot soldiers to:  “Resist, persist, insist, enlist”.  Upon reading those words, I was reminded of the little girl in the movie “Poltergeist” who said:  “They’re baaack”.

Yes, they’re back like “Ate”, the Greek goddess of discord and vengeance.  Well, actually, in truth, they never really left.

In William Shakespeare’s “Julius Caesar”, the main character isn’t Caesar.  On the contrary, the story is mostly about everyone else.  If prose could be equated to cuisine, then “Julius Caesar”, although the Bard’s shortest play, was, nevertheless, a veritable feast; an exotic, psychological buffet of torn loyalties, political treachery, honor, patriotism, friendship, intrigue, tragedy, and revenge.

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